Recall IV – Interstate [MEC085]

Recall IV is the project created by Andre Fischer that reached a massive success in the German techno scene in 1990 with the release of the single “Contrast” on Techno Drome International / ZYX Records. This was shortly followed by two more releases in 1991 (“Contrast – Part 2” and the extended play “Aesthetic”) and contributions to various compilations. Andre has been a very active techno composer and producer since the late 80’s working with people like Lars Janzik, Carlos Perón, Giora Schein & Holger Wick (Konzept), Volker Then (Friends Of Carlotta) on countless projects including Scope, Scrot, Technoline, Trust in 6, ADSX, etc. “Interstate” compiles tracks from all Recall IV singles, some old compilations and a selection of unreleased cuts and remixes.

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Recall IV – Interstate [MEC085]

Crash Course In Science – Near Marineland LP [DE328]

Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years – yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981, but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions – this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

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Crash Course In Science – Near Marineland LP [DE328]

Mascarpone – Combustion (Remixes)

Combustion is a hard-hitting raw EBM track created to put fire on the dancefloors. Mascarpone has taken his influences and crafted a homage to the power of the synthesizer, especially the Korg Monopoly, which is the main bassline sound we can hear. Includes remixes by Commuter, Vondkreistan, Saigg and Sisyphe.

Mascarpone – Combustion (Remixes)

DJ Aakmael – The Xposd EP [NDATL038]

NDATL continues with DJ Aakmael’s vibrant EP, ”The Xposd EP”. Kicking things off is ”Track 109” a lively and rhythmic blend of Latin jazz infused groove with a bouncy shuffle guaranteed to set hips in motion. Next ”Imagination” a mesmerizing groove and Aakmael’s signature solo work, transports the dancers into a hypnotic zone. On the B-side, we encounter the dynamic collaboration ”This Is Not A Game,” a potent creation by Aakmael and label head Kai Alcé, featuring sparse piano notes and a penetrating synth solo. Aakmael then draws upon his Windy City influences for the final track, ”102.5” characterized by a smooth deep bassline and velvety keys. With its diverse soundscape, ”The Xposd EP” with its captivating rhythms and melodies invites listeners to immerse themselves.

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DJ Aakmael – The Xposd EP [NDATL038]

Omar S – All The Little Hands Around [AOS-1105]

Omar S’ first outing of 2024 on his own FXHE opens up with ‘Life Force’ which pairs Smith’s unique drum sounds – brushed metal, scruffy, raw – with his super sweet synths that always bring the warmth and soul. ‘All The Little Hand’s Around’ is another metallic sound tech house cut with celebratory chord loops up top and well-treated samples, then ‘Evil J’ shuts down with rasping basslines and glistening 80s keys. Another fine 12″ from the Detroit don.

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Omar S – All The Little Hands Around [AOS-1105]

Kerrie – Machine Alliance [TRESOR370]

Machine Alliance, the new EP by Irish producer Kerrie Anderson on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general. With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP’s title takes on two opposing but intersecting meanings.

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Kerrie – Machine Alliance [TRESOR370]

Neel – Disco Quarantine EP [IT53]

Neel lands on Interdimensional Transmissions with the “Disco Quarantine” EP. Exploring the boundaries between genres, simultaneously pure deep techno and disco — this is rarely achieved — he continues to explore the edges with the ever propulsive title cut, and further connections with each song. Psychedelic, propulsive, subtle, perfectly produced gems ranging from hedonistic underground moments where time ceases to exist to moments of exploration throughout the cosmos. It feels like the B side opener Deep Quarantine was composed for the environment at No Way Back, though it is equally eternal and available to any floor anywhere in the world.

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Neel – Disco Quarantine EP [IT53]

Rene Wise – Moving Pressure 01 [MP01]

Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement. As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise’s music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it’s the space between the notes that resonate the loudest.

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Rene Wise – Moving Pressure 01 [MP01]

VA – Acid Reflux by Acid Adams [UV060]

Acid Reflux is an EP compiled by Acid Adams that focuses on acid sounds from different times, genres and genders. The journey starts with the deep and melodic excursions by Nihilist and softcoresoft before we enter a sweaty basement to get lost to rough and punchy tracks by ADSX and Ida Bux. On both sides, a track from the 90s (which has never been released on vinyl before) is followed up by a new composition that was inspired by its predecessor and has been produced especially for this release. Since the 90s-tracks are exclusively by male producers, the concept tries to balance this era-inherent state of affairs with the fact that the new tracks are solely by finta* artists. On a meta-level, this release is about connecting times, genres and genders, beyond forms of binary thinking.

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VA – Acid Reflux by Acid Adams [UV060]

VA – 1st Unit: Underpass Records EP [RH-STOREJPN12]

All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sano. Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.

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VA – 1st Unit: Underpass Records EP [RH-STOREJPN12]

Marcus Paulson – Unity [WOD025D]

For the second release this year Weapons Of Desire presents five tracks of jackin’ acidhouse, techno & pumping bleep from Manchester man Marcus Paulson. Added to the fire are two remixes by label co-pilot Iron Blu and the mysterious Spittal Hardwick.

Marcus Paulson – Unity [WOD025D]

Carl Finlow – Heed [SYNCRO47]

Syncrophone presents Carl Finlow, an artist whose craft demands the utmost acclaim. Renowned for pushing the boundaries of electro, Finlow’s musical ingenuity takes the spotlight once more. The upcoming EP, featuring tracks like ‘Heed,’ ‘Overlord,’ and ‘Expansion,’ perfectly encapsulates his signature style – a harmonious blend of pulsating beats and forward-thinking electronic exploration.

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Carl Finlow – Heed [SYNCRO47]

VIP 200 – Psicoerotica [CNLP8081]

Remember that period at the turn of the century when people were talking about Lounge, Exotica and Easy Listening? It was the so-called Cocktail Generation phenomenon, of which VIP 200, a quartet formed in Italy in 1999, was the ultimate expression as a band. The most important input came from the reissues and compilations of Italian soundtracks that debuted with great success at the time, and VIP 200’s interpretations of them were genuine, rustic and rich in atmospheres that led back precisely to music for the image. Their live shows, as well as their first and only record re-released for the first time on double gatefold vinyl by Cinedelic with many outtakes, alternated between danceable moments with fast rhythms such as shake, beat and soul funk, to more ethereal and psychedelic, to softer and more ironic ones. They loosely and spontaneously re-presented songs that before then no one had ever performed live with a band; 10 years later Calibro 35 would get there. Strong was the “fetishist” component that pushed them to research original instruments of the vintage, design, sound and atmosphere to be created. An iconographic record of the period, a must-have for those who lived through it and for those who want to understand its essence.

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VIP 200 – Psicoerotica [CNLP8081]

VA – Yarrow Ballet V.A. 01

Introducing Yarrow Ballet’s V.A. (Volume 01) featuring 10 beautiful tracks. The essence of this compilation its best describes as a listening experience that aligns perfectly with Yarrow Ballet’s musical aesthetic. It captures a balance of darkness and softness, all underscored by a sense of melancholic beauty. The V.A. also embodies a sense of community, similar to that of a close-knit family.

VA – Yarrow Ballet V.A. 01